Sabine Schormann leaves her post at Documenta after an exhibit featuring anti-Semitic elements prompted an outcry.
The head of a major art show in Germany has resigned after an exhibit featuring anti-Semitic elements prompted an outcry at the event’s opening last month.
Sabine Schormann, the director general of Documenta, one of the world’s biggest art fairs, left her post as chief executive by mutual agreement, the art fair’s executive board said on Saturday.
It also expressed regret about what it described as “unambiguously anti-Semitic motifs” visible in one of the works shown at the opening weekend.
“The presentation of the banner ‘People’s Justice’ by the artists collective Taring Padi with its anti-Semitic imagery was a clear transgression and thereby caused significant harm to the Documenta,” the board said.
The banner featured a soldier with the face of a pig, wearing a neckerchief with a Star of David and a helmet inscribed with the word “Mossad,” the name of Israel’s intelligence agency. It was taken down within days after widespread criticism from Jewish groups and German and Israeli officials.
The Taring Padi collective, based in Indonesia, has already apologised for the incident. It said the work — which it said was first exhibited at the South Australia Art Festival in Adelaide 20 years ago — was “in no way related” to anti-Semitism, but instead referred to the post-1965 dictatorship in Indonesia.
“We are sorry that details of this banner are misunderstood other than their original purpose. We apologise for the injuries caused in this context,” it said last month.
It acknowledged that the incident followed months of debate about alleged anti-Semitism, which it and the show’s organisers had strongly rejected.
Germany’s president raised the issue of anti-Semitism during his speech at the show’s opening, saying there were “limits” to what artists can do when they address political issues in a country that is still atoning for the Holocaust.
This year’s Documenta is being curated by Indonesian art collective Ruangrupa, which has broken with tradition by using a collaborative format and inviting a wider range of participants from the Global South than previous editions of the exhibition.
But the debate surrounding the event has raised questions about whether Germany’s approach to combating anti-Semitism discriminates against Palestinians and supporters of Palestinian rights, and limits artistic freedom.
The contemporary art event had been clouded in controversy for months over its inclusion of The Question of Funding collective, a Palestinian artists’ group critical of the Israeli occupation of Palestinian land.
In June, several weeks before Documenta opened, the collective’s exhibition space was vandalised as intruders let off a fire extinguisher and spray painted what appeare to be death threats on the walls.
The collective supports BDS (Boycott, Divestment, Sanctions), a movement to boycott Israel until it withdraws from the Palestinian and Arab territory it occupies.
BDS, which draws support from around the world, was branded anti-Semitic by the German parliament in 2019 and barred from receiving federal funds. Approximately half of Documenta’s $42m budget comes from public funds.
In the years since, supporters of BDS have been stripped of awards, disinvited from events, and publicly denounced as antisemites.
Germany is home to Europe’s largest population of Palestinians, but many find the political climate is becoming increasingly hostile towards them.
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Concordia's Art Volt Collection aims to help launch the careers of fine art grads — University Affairs – University Affairs
The initiative includes a ‘bootcamp’ in art marketing and sales skills.
A newly launched art collection aims to support graduating students and recent alumni of Concordia University’s faculty of fine arts as they launch their careers in the competitive commercial market, while simultaneously giving the general public an opportunity to buy or rent artworks.
The Art Volt Collection (AVC) is the latest initiative of Art Volt, a platform launched in March 2020 with a variety of programs helping to help Concordia’s fine arts alumni as they transition out of school.
The new collection features about 140 artworks from 25 artists working in a variety of media, including print, painting, photography, video, ceramics and textile installations. The collection officially launched with an event at Maison du Conseil des arts de Montréal on May 17.
“It’s very important for artists to have support in the years after they graduate,” said Camille Bédard, head of AVC. “The three to five years that follow graduation are the most critical ones, because this is when artists decide if they will continue or not in their artistic path. Art Volt is there, at this pivotal moment for them.”
The not-for-profit service is supported by the Peter N. Thomson Family Innovation Fund. In 2019, the Peter N. Thomson Family Trust gave a $5.6 million gift to Concordia’s faculty of fine arts. That donation supports three areas, including the innovation fund. Each year, the AVC will make a call for submissions to acquire new art, from artists who have graduated in the past five years. Graduating students and alumni submit their work to be reviewed by a professional jury, made up of faculty, artists and curators.
Twenty-five artists were selected for the first collection, a number that could grow in the future, Ms. Bédard said. The artists’ work is showcased online, providing exposure and connections to patrons interested in renting or buying pieces, and there’s are also plans for future in-person exhibitions.
Another major component of AVC is professional development. Prior to the collection’s launch, the first group of artists attended a day and a half of “bootcamp” training, covering topics including how to properly package artwork, price pieces, and how to write a bio and artistic statement. “All the workshops that we give at the bootcamp are skills that they don’t necessarily learn at school, but they need,” Ms. Bédard said.
That focus on professional development, alongside the jury process for selection, sets the collection apart from other university initiatives that rent or sell student art. “It’s really about supporting their careers as they enter their professional life. We’re covering a wide range of skills that are part of the artistic life, but that you don’t learn while you’re at school,” Ms. Bédard said. “Art Volt is somewhat of a transition between university and real life.”
One of the artists in the first collection is Alexey Lazarev, a Montreal-based multidisciplinary visual artist who graduated from Concordia in 2019. He first participated in the Art Volt platform’s workshops and presentations before successfully submitting his work to the collection. A few of his pieces sold at the launch event, and a few more have sold through the collection’s website.
“Participating in a program like this has helped me understand the realities of the business, what it takes to be an artist, and to have some sales and make some money. It’s also good for visibility and to make new connections,” Mr. Lazarev said. “I think more universities should do a program like this; it really adds value.”
While the program’s model is unique to Concordia, Ms. Bédard sees opportunity for other universities to adapt it to meet their own needs. “I would suggest thinking, what do your artists and students need, in terms of making it into the art world? What can you offer them to help them? Maybe it’s providing them with skills and certain tools, or maybe it’s exposure,” she said.
Already, the collection has helped showcase student artists to the broader university community by providing opportunities to buy or rent original art. “There are lots of offices in universities but there was previously no way to have artworks by students in those offices,” Ms. Bédard said. “With the collection, we’ll bring artworks of Concordia students into Concordia offices, instead of having just random artworks.”
Anyone can purchase or rent artwork from the collection, but first they have to become a member of the AVC. Annual memberships start at $25, and philanthropic donations of $250 or more include automatic membership in the collection, alongside other perks. Artists set their own prices for their pieces, and the AVC takes a 30 per cent commission on sales, which Ms. Bédard said is lower than the industry standard of 50 per cent.
Already, plans are underway to expand what is available through the AVC so that graduating students and alumni from all nine departments in Concordia’s faculty of fine arts are eligible for transitional support. Acquiring a theatre play is not the same as acquiring a painting, Ms. Bédard said, so the focus will be less on buying and selling and more on providing artists with increased visibility and connections in their fields.
One way to do that is through partnerships. For example, performances will take place this August and September featuring the work of Concordia students in dance, visual arts and theatre at Art POP, the visual arts segment of the POP Montreal International Music Festival.
“The collection has just started, and already there are so many more ideas that we have in mind to develop,” Ms. Bédard said. “Having access to that visibility and exposure is really key.”
Urban art and music festival in Sudbury this weekend – CTV News Northern Ontario
Preparations are underway in downtown Sudbury for the Up Here Festival this weekend.
It’s an urban art and musical event to brighten the downtown with colourful murals and showcase emerging music.
Twin brothers, originally from Halifax, are painting the first mural at the Up Here Festival 2022.
Using a scissor lift, paint cans and brushes, the artists said this creation is called Moose and Bear.
“We wanted to do something big and bold and colourful and friendly that is approachable since it’s such a public area. So yah like everyone loves animals, everyone loves colourful paintings,” said artist Greg Mitchell.
The twin brothers now live in Toronto and operate a creative agency called Born in the North. They were invited artists to take part in the festival.
“I love being a part of it. It’s like a huge compliment too to to be trusted with this massive wall for the festival. I think it’s the first one that is being done for the festival so it’s a big honour and yes it’s just really fun to be outside all day paining this,” said Chris Mitchell.
The Up Here Festival kicks off this Friday featuring urban art activities for all ages and eclectic music.
“Paint a bunch of new murals within the downtown core and we present emerging acts so some of the best emerging talent from across the country,” said Christian Pelletier, a co-founder of the Up Here Festival.
“So not necessarily big names that everyone knows but a lot of acts that are going to be headliners of tomorrow.”
The festival has been running for eight years now and organizers said it’s growing each year.
“For us the project really started as an idea you know of beautifying the downtown core and it has quickly transformed into a way to engage with the community. To put up art that challenges people’s perspectives that also adds a little bit of quirk and wonder to their daily routine,” said Pelletier.
Up Here Square is a unique area on Durham Street.
Organizers said there will be a number of concerts throughout the weekend that are pay as you can to make them accessible to everyone.
For more information on the festival, visit their website.
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