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September 21, 2021 by archyde

While having his young troupe rehearse for the first time, Jean Bellorini suddenly has the impression of reviving old ghosts: on the stage, 22 amateurs full of life put on costumes worn, there are more than a half. century, by Maria Casarès, Jean Vilar or even Georges Wilson. What do they have in common? They marked with their paw, their tone, their playing, the long history of Popular National Theater (TNP). «And it is overwhelming!», confides in an almost trembling voice the director who took the reins, a little over a year and a half ago.

Presented this Saturday, September 25 in Villeurbanne (Rhône), its creation And others than me will perhaps continue my dreams is the culmination of a centenary that the establishment has been celebrating for nearly a month, through meetings, exhibitions and original shows.

→ READ. Villeurbanne, popular capital of culture

On November 11, 1920, Firmin Gémier brought out of the ground, in Paris, the first version of the TNP, the fruit of a revolutionary utopia inspired by Maurice Pottecher and which has become an obsession: theater for all. The last on the list of his successors is now clear: “ we must never fall into the trap of forgetting but constantly renew this project which seeks only one thing: to humanize society a little. »

A NPT in the plural

On the mezzanine overlooking the entrance to the building, old memos are displayed: “Dear Monique, it is essential to send the actors these good faith remarks which come from the spectators», can we read from the hand of Jean Vilar. Because if he is not the founding father, the man of the theater is a key architect of the conquest of the new public: at the helm between 1951 and 1963, he introduced an end-of-show questionnaire, lower prices. , schedule changes, which blew up the “bourgeois” codes. So much so that the sociologist Laurent Fleury, invited to speak this Saturday afternoon, recounts having heard several times in his interviews: «Vilar’s NPT changed my life. »

Here, we readily speak of “the” NPT. First, for obvious geographical reasons, since, after having been successively associated with the Trocadéro and Chaillot palaces in Paris, the label was transferred to the Lyon metropolis where decentralization ended up doing its job. But also because the institution is imbued with each new mandate with a personality and a historical context. «We want it to bring together and educate in the post-war periods, while it must instead challenge and transform in the post-1968 years!», recalls Marion Denizot, professor of theater studies at the University of Rennes.

After the “democratization” of the great classics, therefore, Georges Wilson gradually opened up the repertoire to contemporary authors. Roger Planchon claimed power in «director-creator». All will suffer their share of criticism – artistic, administrative, societal – but none will arouse controversy.

A political fight

«And it’s curious ”, we hear several times in the room. Because the job is a “huge responsibility” », As Jeanne Laurent suggests, in an exchange of letters chosen to inaugurate the centenary events. The decisive role of this high official from the middle of the twentiethe century reminds us that the anniversary is also that of a political fight, to impose everywhere the intuition of public theater. If the gesture is today taken up by many initiatives, institutional or citizen, the National Popular Theater remains a place of memory and an eternal experience, «whose ambition will never really come true ”, believes Jean Bellorini.

Appointed in January 2020, this supporter of an art made «by and for hearts» refuses the title of heir but feels responsible for the history of an establishment, which it sometimes happens to rename «National Poetic Theater». It promotes transmission «direct “, by importing its concept of «ephemeral troop» with young inhabitants, or by supporting the project of mini-cultural centers in schools.

«I believe that the permanence and the anchoring of artists in the territory are among our most effective tools today ”, he explains. The goal has not really changed: to remember that everyone has in themselves «the faculty of wonder “.

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The National Popular Theater in six terms

1920. After the abortive experience of the Traveling National Theater, the director Firmin Gémier founded the National Popular Theater (TNP) at the Trocadéro Palace in Paris.

1951. Supporter of a “Theater-public service”, Jean Vilar is appointed by Jeanne Laurent at the head of the TNP, at the new Palais de Chaillot.

1972. The label was transferred to the Théâtre de la Cité, founded in Villeurbanne by Roger Planchon, who took over the management alongside Patrice Chéreau and Robert Gilbert: the TNP became a symbol of decentralization.

2002. Christian Schiaretti becomes director of the establishment, where he notably inaugurates the new Grand-Théâtre.

2020. Jean Bellorini, former director of the Gérard-Philipe Theater in Saint-Denis, takes over: he proposes a project focused on transmission and anchored in the territory.

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Here’s how Helene and other storms dumped a whopping 40 trillion gallons of rain on the South

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More than 40 trillion gallons of rain drenched the Southeast United States in the last week from Hurricane Helene and a run-of-the-mill rainstorm that sloshed in ahead of it — an unheard of amount of water that has stunned experts.

That’s enough to fill the Dallas Cowboys’ stadium 51,000 times, or Lake Tahoe just once. If it was concentrated just on the state of North Carolina that much water would be 3.5 feet deep (more than 1 meter). It’s enough to fill more than 60 million Olympic-size swimming pools.

“That’s an astronomical amount of precipitation,” said Ed Clark, head of the National Oceanic and Atmospheric Administration’s National Water Center in Tuscaloosa, Alabama. “I have not seen something in my 25 years of working at the weather service that is this geographically large of an extent and the sheer volume of water that fell from the sky.”

The flood damage from the rain is apocalyptic, meteorologists said. More than 100 people are dead, according to officials.

Private meteorologist Ryan Maue, a former NOAA chief scientist, calculated the amount of rain, using precipitation measurements made in 2.5-mile-by-2.5 mile grids as measured by satellites and ground observations. He came up with 40 trillion gallons through Sunday for the eastern United States, with 20 trillion gallons of that hitting just Georgia, Tennessee, the Carolinas and Florida from Hurricane Helene.

Clark did the calculations independently and said the 40 trillion gallon figure (151 trillion liters) is about right and, if anything, conservative. Maue said maybe 1 to 2 trillion more gallons of rain had fallen, much if it in Virginia, since his calculations.

Clark, who spends much of his work on issues of shrinking western water supplies, said to put the amount of rain in perspective, it’s more than twice the combined amount of water stored by two key Colorado River basin reservoirs: Lake Powell and Lake Mead.

Several meteorologists said this was a combination of two, maybe three storm systems. Before Helene struck, rain had fallen heavily for days because a low pressure system had “cut off” from the jet stream — which moves weather systems along west to east — and stalled over the Southeast. That funneled plenty of warm water from the Gulf of Mexico. And a storm that fell just short of named status parked along North Carolina’s Atlantic coast, dumping as much as 20 inches of rain, said North Carolina state climatologist Kathie Dello.

Then add Helene, one of the largest storms in the last couple decades and one that held plenty of rain because it was young and moved fast before it hit the Appalachians, said University of Albany hurricane expert Kristen Corbosiero.

“It was not just a perfect storm, but it was a combination of multiple storms that that led to the enormous amount of rain,” Maue said. “That collected at high elevation, we’re talking 3,000 to 6000 feet. And when you drop trillions of gallons on a mountain, that has to go down.”

The fact that these storms hit the mountains made everything worse, and not just because of runoff. The interaction between the mountains and the storm systems wrings more moisture out of the air, Clark, Maue and Corbosiero said.

North Carolina weather officials said their top measurement total was 31.33 inches in the tiny town of Busick. Mount Mitchell also got more than 2 feet of rainfall.

Before 2017’s Hurricane Harvey, “I said to our colleagues, you know, I never thought in my career that we would measure rainfall in feet,” Clark said. “And after Harvey, Florence, the more isolated events in eastern Kentucky, portions of South Dakota. We’re seeing events year in and year out where we are measuring rainfall in feet.”

Storms are getting wetter as the climate change s, said Corbosiero and Dello. A basic law of physics says the air holds nearly 4% more moisture for every degree Fahrenheit warmer (7% for every degree Celsius) and the world has warmed more than 2 degrees (1.2 degrees Celsius) since pre-industrial times.

Corbosiero said meteorologists are vigorously debating how much of Helene is due to worsening climate change and how much is random.

For Dello, the “fingerprints of climate change” were clear.

“We’ve seen tropical storm impacts in western North Carolina. But these storms are wetter and these storms are warmer. And there would have been a time when a tropical storm would have been heading toward North Carolina and would have caused some rain and some damage, but not apocalyptic destruction. ”

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Follow AP’s climate coverage at https://apnews.com/hub/climate

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Follow Seth Borenstein on Twitter at @borenbears

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Associated Press climate and environmental coverage receives support from several private foundations. See more about AP’s climate initiative here. The AP is solely responsible for all content.

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‘Big Sam’: Paleontologists unearth giant skull of Pachyrhinosaurus in Alberta

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It’s a dinosaur that roamed Alberta’s badlands more than 70 million years ago, sporting a big, bumpy, bony head the size of a baby elephant.

On Wednesday, paleontologists near Grande Prairie pulled its 272-kilogram skull from the ground.

They call it “Big Sam.”

The adult Pachyrhinosaurus is the second plant-eating dinosaur to be unearthed from a dense bonebed belonging to a herd that died together on the edge of a valley that now sits 450 kilometres northwest of Edmonton.

It didn’t die alone.

“We have hundreds of juvenile bones in the bonebed, so we know that there are many babies and some adults among all of the big adults,” Emily Bamforth, a paleontologist with the nearby Philip J. Currie Dinosaur Museum, said in an interview on the way to the dig site.

She described the horned Pachyrhinosaurus as “the smaller, older cousin of the triceratops.”

“This species of dinosaur is endemic to the Grand Prairie area, so it’s found here and nowhere else in the world. They are … kind of about the size of an Indian elephant and a rhino,” she added.

The head alone, she said, is about the size of a baby elephant.

The discovery was a long time coming.

The bonebed was first discovered by a high school teacher out for a walk about 50 years ago. It took the teacher a decade to get anyone from southern Alberta to come to take a look.

“At the time, sort of in the ’70s and ’80s, paleontology in northern Alberta was virtually unknown,” said Bamforth.

When paleontogists eventually got to the site, Bamforth said, they learned “it’s actually one of the densest dinosaur bonebeds in North America.”

“It contains about 100 to 300 bones per square metre,” she said.

Paleontologists have been at the site sporadically ever since, combing through bones belonging to turtles, dinosaurs and lizards. Sixteen years ago, they discovered a large skull of an approximately 30-year-old Pachyrhinosaurus, which is now at the museum.

About a year ago, they found the second adult: Big Sam.

Bamforth said both dinosaurs are believed to have been the elders in the herd.

“Their distinguishing feature is that, instead of having a horn on their nose like a triceratops, they had this big, bony bump called a boss. And they have big, bony bumps over their eyes as well,” she said.

“It makes them look a little strange. It’s the one dinosaur that if you find it, it’s the only possible thing it can be.”

The genders of the two adults are unknown.

Bamforth said the extraction was difficult because Big Sam was intertwined in a cluster of about 300 other bones.

The skull was found upside down, “as if the animal was lying on its back,” but was well preserved, she said.

She said the excavation process involved putting plaster on the skull and wooden planks around if for stability. From there, it was lifted out — very carefully — with a crane, and was to be shipped on a trolley to the museum for study.

“I have extracted skulls in the past. This is probably the biggest one I’ve ever done though,” said Bamforth.

“It’s pretty exciting.”

This report by The Canadian Press was first published Sept. 25, 2024.

The Canadian Press. All rights reserved.

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The ancient jar smashed by a 4-year-old is back on display at an Israeli museum after repair

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TEL AVIV, Israel (AP) — A rare Bronze-Era jar accidentally smashed by a 4-year-old visiting a museum was back on display Wednesday after restoration experts were able to carefully piece the artifact back together.

Last month, a family from northern Israel was visiting the museum when their youngest son tipped over the jar, which smashed into pieces.

Alex Geller, the boy’s father, said his son — the youngest of three — is exceptionally curious, and that the moment he heard the crash, “please let that not be my child” was the first thought that raced through his head.

The jar has been on display at the Hecht Museum in Haifa for 35 years. It was one of the only containers of its size and from that period still complete when it was discovered.

The Bronze Age jar is one of many artifacts exhibited out in the open, part of the Hecht Museum’s vision of letting visitors explore history without glass barriers, said Inbal Rivlin, the director of the museum, which is associated with Haifa University in northern Israel.

It was likely used to hold wine or oil, and dates back to between 2200 and 1500 B.C.

Rivlin and the museum decided to turn the moment, which captured international attention, into a teaching moment, inviting the Geller family back for a special visit and hands-on activity to illustrate the restoration process.

Rivlin added that the incident provided a welcome distraction from the ongoing war in Gaza. “Well, he’s just a kid. So I think that somehow it touches the heart of the people in Israel and around the world,“ said Rivlin.

Roee Shafir, a restoration expert at the museum, said the repairs would be fairly simple, as the pieces were from a single, complete jar. Archaeologists often face the more daunting task of sifting through piles of shards from multiple objects and trying to piece them together.

Experts used 3D technology, hi-resolution videos, and special glue to painstakingly reconstruct the large jar.

Less than two weeks after it broke, the jar went back on display at the museum. The gluing process left small hairline cracks, and a few pieces are missing, but the jar’s impressive size remains.

The only noticeable difference in the exhibit was a new sign reading “please don’t touch.”

The Canadian Press. All rights reserved.

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